01. steelworker 04:16
02. live in a hole 03:01
03. dead billy 03:28
04. i can be killed 04:28
05. crack 03:56
06. rip 02:22
Sensibly the most developmental and skeletal of Big
Black's releases, Steve Albini's first official
contribution to the rock world is a batch of
sparse, minimal new wave recorded cheaply in two
different apartment locations. With the exception
of some sax provided by John Bohnen, everything is
done by the young Albini, then a student at
Northwestern. Not-so-pleasant views of morality ("I
Can Be Killed"), post-mortem fornication with an
army vet ("Dead Billy"), and primal living
("Steelworker") provide some of the subject matter,
matching the bleakly realist lyricism of Swans with
a slight bastardization of the precise, jagged
minimalism of Wire, Devo, and Suicide. Limited to a
trebly buzz and augmented by a Casiotone, the
guitar has little of the electrifying clamor and
rattle of later releases. Throughout, Albini sounds
about as angry as a youth from the wilds of Montana
could possibly be — and lord only knows how much
resourcefulness was required to be exposed to his
influences. Locating to the Chicago area obviously
helped; who knows what this man would have done if
he hadn't found an outlet for his aggressions?
MEDIAFIRE
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